Category: Books I’m Reading


Warm hugs

Ever get discouraged in your writing?

Is the pope Catholic?

The latest book from writing guru Larry Brooks

Discouragement, not to mention torment, is normal in this delightful profession. We claim to be writers while our family secretly worries we’ve joined a cult, strangers at parties want to know when we’ll get a movie deal, the rejection letter pile gets ever higher while the publishing advances get smaller, newcomers zoom past those of who’ve been in the trenches for . . . well, skip that . . . and we’re now on the fifth re-write and the damn novel is still short of the goal post.

Do you need a warm hug?

Buy this book. It is chock full of masterly advice and perspective from one of our industry’s best–Larry Brooks, and contains a forward by James N. Frey which we should vow to reread once a month, and definitely before giving up writing for a real job.

Here is the book for Kindle.

It is also available as a pdf on Larry’s website.

Warm Hugs for Writers. Because sometimes fame and glory are not enough.


Best reads of the year

Books are my favorite gifts to give and receive. Here are my picks from the year in books.

Nonfiction

1776 – David McCullough

A stirring account of the most famous year in America. It’s an account you’ve never seen before, with intensely human close ups of General George Washington and those who marched with him-and against him. If you thought you didn’t like history, McCullough will change your mind.

Cleopatra: A Life – Stacy Schiff

Get past the mythology and be astonished that Cleopatra is not known for being a shrewd monarch and a much more interesting woman than the stereotyped seductress as (mostly) men have portrayed her. A luminous, fascinating work.

Story Engineering – Larry Brooks

Larry Brooks takes on story architecture and in doing so breaks open storytelling for beginners and mid-career writers alike. Look at your novel problems in dazzling clarity, learning what’s missing and why people notice.

Here is not a rigid template, but a classic blueprint. He lays out why the elements have to be there and how they create drama. You’ll still need to work your artistic magic to breathe life into your story–but you’ll be working smart and not floundering with a shapeless narrative that has lost its rhythm–and reader interest.

Fiction

Wolf Hall – Hilary Mantell

King Henry VIII’s court told from the viewpoint of the fascinating and complex Thomas Cromwell. This highly literary book is no seen-it-before costume drama, but a close up of the psyche of one man trying to navigate the court where a single mistake can mean death. A dense portrait of a man often glossed over in the usual film treatments.  Winner of the Man Booker prize.

Tongues of Serpents – Naomi Novik

Temeraire and Lawrence banished to Australia. If you haven’t tried this wonderful series, then you aren’t in love with the dragon Temeraire – yet. Start with the first book, His Majesty’s Dragon, and luxuriate in the inner and outer worlds of these fascinating characters trying to navigate war and class and a mutual devotion seldom seen in fiction.

The Brahms Deception  – Louise Marley

This intense read is a tightly-plotted time-travel story that plays with the idea of a love affair between Johannes Brahms and Clara Schumann. Historians from the future travel back in time on an ostensible musicology mission which soon turns dark and harrowing. Reminiscent of Willis’s Doomsday Book, this story offers a dramatic plot and fabulous historical detail.

Troubled Waters – Sharon Shinn

Shinn’s latest fantasy world ruled by five elemental signs and shot though with back-stabbing court intrigues. This is a delightful coming-of-age story that brings a young woman from pawn to power while delivering a fine romance. Zoe Ardelay’s primal power comes from water, and most readers try to figure out their own essence. See Shinn’s website for help in determining yours.


Story Engineering Made Clear

Until 3/25/11, receive a gift with purchase (see below).

Once in a while a writing book comes along that is so good it has to be on your shelf. A few years ago, it was Story by Robert McKee. Today it’s Story Engineering by Larry Brooks.

Last year at Write on the River I had the experience of seeing students coming out of a Larry Brooks class on story architecture looking happily stunned. They’d seen something that broke open storytelling for them. Their novel problems were exposed in dazzling clarity. The missing elements and their function–all obvious to them.

Brooks’s new book presents these principles in a wonderfully freeing way. You’ll learn the structural elements of story not as a rigid template, but as a classic blueprint. Read More »


My Top 5 Reads of 2010 and their Engines

I failed miserably this year to keep up with all the good fiction reads coming out. I was distracted by research reading, my son’s wedding and the urge to be outside in the (short) summer. As a result I missed many good books, alas. The pile of books by my bed is undiminished.

Here are some novels that vastly entertained, intrigued, or in the case of a couple of them, gave me a kick like a mule. The last two are older books. In no particular order:

The Windup Girl, Paolo Bacigalupi. Science Fiction.

This wonderful story gives a one-two punch: brilliant milieu combined with taut narration, sharp dialogue and intriguing indirection. Here is Bangkok in a post-oil future, a deliciously intelligent extrapolation. The engine of this story for me is the premise of how genetic disaster and manipulation drive the characters to desperate acts.

The Girl Who Played with Fire, Stieg Larsson. Thriller. Read More »


Books on Story

I own a bunch of books that promise to impart wisdom on writing. They tell me to get a notebook, dive in, discover myself and have faith. They advise me to write concise scenes, deep characters and great dialogue.

Often, though, they fail to tell me how. Sound familiar?

One common failing of these books is that they concentrate on writing, not on story. The distinction is vital for those who want to publish.

Books on writing explain the qualities that our writing should have; sometimes they describe the elements of writing that one must master, such as pacing and plot. But without the context of story we’re lost in the funhouse. We don’t know what we’re about. We try to fix things piecemeal instead of holistically.

We’re missing depth, structure and context. The key to all this is story.

The Straight Scoop on Story

This is why I’m so pleased to see some of the newer books on writing focusing on story. You can still deepen in the major elements of fiction, but it’s so much more helpful to do that in context of a story that’s going somewhere. A story that’s about something.

Without further ado, here are my latest recommendations for books that will help you write a better story. (And, let us not forget, just in time for Christmas!)

In the Golden Theme, let that superb teacher, Brian McDonald, show you how to approach and tell a story with purpose and passion. I love the subtitle: How to make your writing appeal to the highest common denominator.


Get deep with your rewrite. In The Weekend Novelist Re-Writes the Novel, let Robert J. Ray show you how to get at the structural connective tissue that will flesh out a mediocre novel and turn it into something fine.

The classic book on structure from Larry Brooks. He taught this approach at the 2010 Write on the River conference and wowed the attendees. Me too!

And watch for his forthcoming book: Story Engineering. February 2011.


Kay Reviews “The Hundred Thousand Kingdoms”

I’m now a guest reviewer for Pat’s Fantasy Hotlist.

Click here for  my review of N.K. Jemisin’s The Hundred Thousand Kingdoms, Book One of the Inheritance Trilogy.