Feedback on your fiction is, on the surface of it, a sensible thing. You’re writing for readers, and people reading your draft and giving opinions is bound to be helpful, right?
Sometimes we end up feeling undermined or, conversely, falsely assured. Feedback can be useful at times, but for reasons that are often invisible to writers, may fail to help us. In pursuit of the deeper truth about feedback, here are some observations.
Motivation and self confidence
- We writers are in an insecure vocation. Connecting with readers can seem unfairly difficult, even random. In such an environment we may turn to others for feedback. But we may not be ready to handle criticism, and this can weaken our intention, especially if we are already lacking in writerly confidence.
- If you’re really ready to hear honest opinions, then it might be a good idea to get feedback. Personally, I tend to avoid feedback (except under strict conditions), because I find myself susceptible to doubt and confused by too much input.
- I know I’m being a bit contrary, but give it some thought. At a deeper level, you know why you want feedback, and you may well be right about whatever decision you come to. But: Sharer beware.
I’m doing two webinars in next three weeks. They’re one hour long, and free to Write on the River members. BUT membership is only $35/year for this worthy writing organization, so even if you only participate in these two classes, it ends up costing you only $17.50 apiece. And there will likely be more webinar events from WOTR thru the spring, which will end up being free to you as a WOTR member. Hope to see you on-line for some fun classes!
Let’s meet on Zoom!
Saturday, April 18, 10:00-11:15 AM – Developing a Powerful Plot
I’ll provide insights into plot and character starting with suggested questions to ask of an initial novel concept, questions that can lead us to a more nuanced, layered story. We’ll consider how the major character can help deepen the plot and how a convincing story arc can shine a light on what happens next.
Saturday, May 2, 10:00-11:15 AM – Pacing in the Novel Read More…
The novel being constructed.
Here I go again, getting all organized about things. Writing things, that is. But even for you organizational skeptics, you must admit that to write a series, you gotta keep track of stuff.
During the writing of my first series, The Entire and The Rose, I found that no matter how blindingly clear story elements were as I wrote, I got fuzzy on, or outright forgot many of them while writing subsequent books. With my next series, The Dark Talents novels, I was forewarned. I employed some tracking tools that I had used on stand-alone novels, but which proved to be even more critical with a series.
When I recommend these tools to my writing students, sometimes they give me pitying looks, as if to say, Really? If we did this stuff, we’d never get any work done!
But I maintain you’ll save a ton of time if you keep track of your series with a few handy documents. For instance, you won’t go chasing through your document trying to find a term or place name, a character’s name, and expressions. Read More…
Anyone else been waking up at 3 o’clock in the morning lately?
There’s a lot to worry about with so many people going through heavy cares or acute stress over health, family, and employment. Even if I’m not experiencing these things outright, it’s hard to watch this happening to so many others.
But it’s important that we keep our spirits up. Not only for our own sakes but so that we can be supportive emotionally and materially to others; that is, present, balanced, and compassionate instead of blameful, pessimistic, and fearful.
And it’s important to us as writers, if circumstances allow, to keep going, even though it might seem all we’re doing is telling stories. It’s what we do, and it’s not irrelevant.
Here’s one way I’m staying present and optimistic. I’m thinking of things that are still good, still working, still bringing me (or should be bringing me) joy. Read More…
In trade paper January 14. Also in eBook & hardcover.
A top ten fantasy read of 2019. —Pat’s Fantasy Hotlist
“Riveting.” — Publishers Weekly
Trade paper edition arrives on Tuesday January 14.
Berlin, 1936. Winter and fascism descend on Europe. Kim Tavistock has put her life at risk before . . . this time it’s her very soul.
A few questions come to mind: Why does Kim’s Berlin station handler say “Everyone has their limits”?
Can a British spy trust the British Intelligence Service? Can she even trust herself?
Is the man she’s living with going to help her or kill her?
What’s it like to be both less than human and more than human at the same time?
Who’s the last person Kim could ever expect to meet on Christmas eve among monsters?
Find Nest of the Monarch at these fine retailers:
Barnes & Noble