top of page

Do you love beautiful special editions? If so, read on!

On the Kickstarter platform, I’ll soon be upgrading The Entire and The Rose novels to special edition luxury! The project launches on April 30.

 

Each of the 4 books in the sci-fantasy limited edition will have from 35 to 45 color interior designs and illustrations including foiled elements and series extras.

 

These deluxe features will not be in the retail hardcovers due for release this summer, and the special editions will never be available on retailers.

​

Deluxe eBooks will also have chapter and section color artwork!

 

Follow the campaign HERE or check out the details below.

kickstarter banner.png
LATEST BLOGS
JOIN MY NEWSLETTER

New releases, special announcements, and reader perks. Plus get a free short story when you sign up!

​

​​

​​

After years of effort to get my rights reverted for these books, I’m so grateful to finally have them. This series was five-years in the making and now I have the chance to bring them out again in beautiful color editions.

 

WHAT YOU’LL FIND IN THE SPECIAL EDITIONS:

​

  • Embossed foil lettering and elements on the dust jacket.

  • Gorgeous designs on the cases, front and back, under the dust jacket.

  • Color designs on every chapter header.

  • Double-page color graphics for features and sections.

  • Special color illustrations on end papers.

  • Character art.

  • Hand-drawn map.

  • Companion bonus collection of poems, songs and sayings of the Entire.

  • Bookmarks and signed, embellished bookplates and other rewards.

  • 375 - 450 pages in each 6 x 9 hardcover book.

​

* * *  "A riveting launch." —Publishers Weekly starred review

​​

* * *  "[A] grand epic, indeed. —Booklist

​

THE ENTIRE AND THE ROSE SPECIAL EDITIONS

​​​​

​

​

​

​

​

​

​

 

     

“Take a deep breath,” the surgeon said. “What do you smell?”

     Titus Quinn sat on the edge of the gurney, wearing a poly-paper gown, getting last instructions as he headed to the lab module and the harness.

     “What do you smell?” Every time Quinn opened his mouth it hurt. And brought a flood of smells.

     “Antisepsis, from that open vial on the table,” Quinn replied. “Something acrid from the carpet.”

     “What else?”

     Quinn opened his mouth a little wider, letting the air currents flow over the newly implanted Jacobson’s organ in the roof of his mouth. “Something stinks over there,” he said, turning to the counter. He closed his eyes, sniffing. “It’s rotten. Mold.” 

     The doc smiled, lifting a towel off a small dish of mold. “Good. But don’t close your eyes. Learn to trust your heightened sense of smell without shutting down other senses.”

     Trust the docs to modify him for survival in the other place. Trust them to give him the olfactory sense of a chimpanzee.

     “Right,” Quinn said, trying to make nice to the people who could still ground him. The docs needed to clear him—despite the fact that he’d lived for years over there without any help breathing or help selecting food that wouldn’t throw him into anaphylactic shock. The docs wanted to play, and Quinn wanted to get going, just get going. He’d waited two years to go back.

     The door opened, and company exec Helice Maki sailed into the exam room, greeting him with a nod. It annoyed Quinn to have such a perky enemy. Five foot four inches tall and sporty-looking, except for the fangs.

The doc acknowledged Helice, then continued, “It won’t be foolproof, but let your sense of smell guide you to high nutrient content, steer you away from toxins. When you’re revolted by the smell or taste, don’t imbibe.”

     Helice said, “The upgrades you’re getting look ordinary. We don’t want to call attention to you, in case you need local cover.”

     The doc went on. “Even on Earth, lots of compounds can kill you. I assume where you’re going will be as chemically charged. There’ll be a lineup of alkaloids, phenolics, tannins, cyanogenic glycosides, and terpenoids—or their other-side equivalents. We’re counting on your body’s enhanced chemical knowledge to steer you to the edibles.”

     Other-side equivalents. Quinn knew there would be plenty of those, and not just plant compounds, either.

     Anticipation had kept him awake for the past two nights, though he might have slept, dreaming that he couldn’t sleep. Oddly, right now he was calm as a statue, whether from exhaustion or a state of grace, facing death, facing the other place. If Quinn were religious—as Johanna had been—now would be a good time for a prayer. But he was hopeless when it came to religion. What was the point, when life was all you wanted? He’d asked Johanna once why she went to Mass. She’d answered, “To be captured by it.” Everything she said was so deeply her. He was captured by her. So perhaps he did know why she went to mass.

     “Okay,” the doc said. “You’re excused. Any questions?”

     “Weapons.”

     Helice shook her head. “No. If you need them, your mission is over anyway.”

     Quinn looked into her perky face. So easy to be a pacifist when you’re twenty.

     He went to the next item on his list. “My pictures.” They’d already told him no personal objects. “I want my pictures.” Johanna and Sydney were fading. The pictures were important.

     Helice bit her lip and glanced at the doc. Is he stable, do you think?

     The doc patted his shoulder. “I think you remember what they look like.”

     Quinn looked at the hand, which was quickly withdrawn. He jumped down from the gurney.

     They led him through a side door to the sterilizing booth, where he’d lose a few nanometers of skin by the time the sonic shower was done.

     “Quinn,” came Helice’s voice. When he looked at her she said, “Godspeed.” She actually looked concerned for him.

     He walked into the booth naked, except for the photos taped to the soles of his feet.

     The smell was pungent, earthy, heavy with ozone and antiseptics. The brew of chemicals revolted him, as the doc had said, meaning he should avoid this place.

     Well, he knew that much. He was eager to be done with this side of reality.

     Scoured and sore, he emerged into the main tube leading to the transition module. They called it interfacing; but he’d also heard the techs calling it punching through. He was met by two paper-suited figures who escorted him toward the transition module, as though he might bolt at the last minute. A heavy door parted before them, and they emerged into the module with its racks of electronics, cabling, and wires surrounding a small platform where an empty harness hung suspended.

     It was all, at this point, unreal, with his senses hideously alert, and his mind damped down. He found himself wondering if the pictures had survived the sonic cleansing. He wanted to have a profound thought or two, but instead he was blank and numb.

     They helped him into plain woven wool trousers and a fitted shirt. He drew on socks and boots, careful to avoid crinkling noises from the pictures. Then he stepped onto the platform, where an attendant helped him thread his arms through the sleeves of the harness for the brief suspension. The attendants left the module.

Now they would wait for a lock on that place, that place that shifted, constantly shifted. When they pierced it to three hundred nanometers, they would lock on and throw the power switch, sending him into a state frighteningly called decoherence.

     They would hoist him two seconds before launch. He waited. It was cold. He stood spread-eagled, a sacrificial lamb, a sacrificial man.

     He began to worry that they had already thrown the switch and he would be lost forever in this harness, waiting for the world.

     Then it came.

     The hoist lifted. The cannon shot.

     But silently. No noise, but the smell. He was in a world of olfactory nonsense. The smell of the world dissolving, the smell of the quark-filled universe. He saw his own arm hanging out at his side. Saw the pulse of blood through an artery. He followed the movement of blood, traversing his upper arm with the stately pace of a glacier. At this rate, the blood would never make it back for reoxygenation in time to . . .

     He couldn’t remember what blood was for.

     His arms were gone. Uh-oh. Floating ahead of the rest of him. He hoped that didn’t mean a screw-up. He looked through the harness, and his torso was drifting suspended, armless, through the corridors of the space platform. Picking up speed, coming to the end of the corridor where the wall up ahead was about to have a very personal interaction with his face.

     Tearing through the wall, past the foam of insulation, data structures, carbon nano hull. Waiting to explode in vacuum space. Looking back at the hole in the space platform, people frozen in midstride. Better close the hole, he thought. He saw people changing positions. They weren’t frozen, they were just moving so slowly. He turned around, to look where he was going.

     Ahead was vast, black, capturing space. He submitted himself to it.

     The universe rewarded him by knocking him senseless.

Entire & Rose Hardcover 3d Bk 1 Bright of Sky_edited.jpg

Former starship pilot Titus Quinn has been sidelined by his company, Minerva, for psychologcal instability. He lost a starship, then mysteriously he was found. His only memory of what happened was that he’d been to another place, or world, or universe--where he lost his wife, Johanna, and daughter, Sydney, who were on the starship with him. When the company’s AI discovers the universe next door, they decide to send Titus back to investigate. In this scene, Titus is being prepared for insertion into that universe.

BRIGHT OF THE SKY sample

@2023 Kay Kenyon. All rights reserved.

bottom of page